|
Ommadawn, schematic outline
Original/Oldfieldian source:
Harald Hougaard,
Lise Andreasen (as transcriber).
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Bar
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Second
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Rough overview
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Key
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Special motifs
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-matisk -off
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Melody theme
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Melody instrument
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1
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0:00
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A, melodious theme, "main theme"
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gm
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A
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Harp
| |
9
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A
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17
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Motif, el.guitar:
d: bar 17-18,
d: bar 23-24
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A
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25
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Motif, el.guitar:
d: bar 25-26
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A
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33
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Transition
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37
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1:16
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B, floating theme, "main theme II"
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|
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B
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String synth
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51
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1:44
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A
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|
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A
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Classical guitar
| |
59
|
|
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A
| |
67
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|
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A
| |
75
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|
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Transition
| |
79
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2:43
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B'
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|
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B'
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Stringsynth
| |
93
|
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F, el.guitar
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B'
| |
107
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F'
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B''
| |
121
|
4:13
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|
f#m
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|
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Transition
| |
129
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|
C
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|
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C1
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Flute/reorder + string
| |
145
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|
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C2
| |
159
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C1
| |
167
|
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(D*), preparation of D-theme
| |
171
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|
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(D*)
| |
175
|
5:55
|
D
|
E
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|
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D
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183
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d-motif, maestoso
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D
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Light/bright flute/recorder
| |
191
|
|
|
El.guitar
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D*
|
El.guitar
| |
199
|
6:57
|
D, folk inspired theme
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|
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D1
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Flute/reorder
| |
207
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|
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D2
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Flute/reorder + mandolin
| |
215
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|
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D3
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223
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A
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|
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D4
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231
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|
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2.stemme, guitar + div.
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D5
| |
239
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|
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2.stemme, guitar + div. + banjo
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D6
| |
247
|
|
|
| |
| |
250
|
8:19
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E
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F#
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|
|
E
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Harp
| |
258
|
|
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E
| |
266
|
|
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E'
| |
270
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Derived motif from A-theme
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|
| |
272
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|
a'4
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Cello
| |
276
|
9:26
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|
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|
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|
| |
I cuoldn't read this
| |
316
|
|
|
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d: Motif - el.guitar
|
|
|
| |
318
|
11:09
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A', theme A el.guitar
|
em
|
|
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A'
|
El.guitar
| |
326
|
|
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A'
| |
334
|
|
|
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Transition
| |
338
|
11:58
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B', preparation
|
f#m
|
|
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B'
|
Panpipe
| |
345
|
12:28
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B, Ommadawn text
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|
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B1
|
Song
| |
359
|
|
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B2
| |
373
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B3
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387
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A*, classical guitar + harp
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B4
| |
393
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D* ,el.guitar
| |
401
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F* (synthesizer?)
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B5
| |
415
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B6
| |
429
|
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B7
| |
443
|
15:49
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Building tension
|
?
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|
Classical guitar
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|
Trumpet
| |
451
|
|
|
| |
459
|
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F'', el.guitar
|
| |
467
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|
| |
473
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d: bar 474-475
|
| |
475
|
16:54
|
A*, release
|
g#m
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A*
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Piano, glockenspiel, string
| |
479
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d: bar 482-483
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A*
| |
483
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d: bar 485-487
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A*
| |
487
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|
| |
490
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d: bar 491-492,
bar 501-502,
bar 512-513,
bar 514-515
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A, harmonic
| |
521
|
18:29
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Drums, fade out
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Drums, fade out
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Drums
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Created: 18 August, 2004 - Last changed: 21 August, 2004 - Comments (0)
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